@tweetdeck Want growl-like mesage alerts with full text of the message. 140 characters is an alert, it should be available as such.
Current fave Ingrish text on server owned by a guy who speaks English: "You are lotto. There are 1 person in my site, now."
@edbrenner Prefer a dark grey background with amber text, easier on my eyes than black text on light background. It's why I like Tweetdeck.
Set up text messaging
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@doctork100 But what if the bookstore can't remember to order the students and faculty the same text? That happened to me last fall.
5) Der Titeltrack: Das ging gerade noch gut! Der Sound ist weniger schroff als bei "Remmidemmi", im Text werden einfach Berufe aufgelistet.
Anyone else not getting any Twitter text message notifications?
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'Vespro della Beata Vergine, 1610'Psalm: Lauda Jerusalem (Psalm 147): two choirs of three voices plus tenor cantus firmusPerformed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto PalatinoI BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more marketable. There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Author: gppkoq Keywords: classical Claudio Monteverdi Vespro della Beata Vergine Added: August 26, 2008
'Vespro della Beata Vergine, 1610'Motet: Audi coelum two tenor soloists singing call and response (prima ad una voce sola)Performed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more marketable. There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
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'Vespro della Beata Vergine, 1610'Psalm: Nisi Dominus (Psalm 126): ten voice choirPerformed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more marketable. There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
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'Vespro della Beata Vergine, 1610'Motet: Duo Seraphim: vocal duet leading into trio Performed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more marketable. There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
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Author: isulibrary Keywords: Library Added: August 26, 2008
'Vespro della Beata Vergine, 1610'Psalm: Laetatus sum (Psalm 121): five voice choirPerformed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto PalatinoI BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more marketable. There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
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Use XML for Log Files
(Norbert Ruessmann) Many applications write log files to get some information about what the application is doing. Especially, applications without a user interface use log files, like for example, Windows Services or Web applications. These log files are plain text files, normally.
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PSPWrite v1.1.1: added new fonts and sizes, wrap mode bug fix
PSPWrite v1.1.1: added new fonts and sizes, wrap mode bug fix Posted on Aug 26, 2008 01:28:44 AM Those of you enjoying the new word wrap function of the PlayStation Portable homebrew app PSPWrite have something new to look forward to as developer Zx-81 recently released the latest version of the homebrew text editor application, PSPWrite. The new build (version 1.1.1) comes with new fonts which come in various sizes. Aside from that, it also includes a bug fix which corrects any special text
Obama Assassination Plot, No Big Deal? Bushies Squelch News of a Threat
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McCain Sends Cindy to Georgia To Deflect From Michelle Obama's Speech
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Cell telephones have turned out to be an elaborate part of our everyday lives in the present day's highly scientific civilization We rely on our cell phones as often as or even more than we rely on our personal or laptop computers They come in many forms with all kinds of handy and useful equipment built straight into them We can buy them with net and downloading access emails address books text messaging
Receiving Compatible Email Messages via Mobile Devices
unknown wrote an interesting post today on Here’s a quick excerpt On average, about 5% of your readership will be using email clients that can only display plain text content. Also, the number of readers that receive your publication on mobile devices, such as Blackberries and iPhones, … Read the rest of this great post here
Comic Books on the iPhone? No Thanks
Is the iPhone a good platform for reading comic books? Probably not, but that isn't stopping developers from having a crack at bringing the funnies to your pocket. The problem is that the iPhone's screen, while great for reading plain-text ebooks, is just a little too small for comic book pages. Part of comics' impact is the full, two-page spread which allows for spacing and pacing of the story. But a full two pages is obviously too much for the iPhone's screen. You can zoom in to read the in
New price on Chemistry: Concepts and Applications, Student Edition, now at $95.96 after 25% decrease in price!
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Text messaging, or texting is the common term for the sending of "short" (160 characters or fewer) text messages from mobile phones using the Short Message Service (SMS).
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A text file (sometimes spelled "textfile") is a generic description of a kind of computer file in a computer file system. [1] At this generic level of description, there are two ...
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South Africa make a cautious start after opting to bat in the second one-day international.
Premier League as it happened
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Felipe Massa wins the European Grand Prix in Valencia ahead of Lewis Hamilton.
Olympics final day as it happened
The 29th Olympic Games is brought to an end in the Bird's Nest stadium in Beijing and London becomes the offical host.
SPL - as it happened
An eventful day in the SPL sees Rangers draw with Aberdeen, league leaders Hamilton lose and Celtic move back top.
Olympics day 15 as it happened
Middleweight boxer James DeGale wins gold for Britain and there are bronze medals for Tim Brabants and Sarah Stevenson.
Arsenal lose at Fulham, while Liverpool snatch a late win over Middlesbrough on a dramatic day of Premier League action.
England v S Africa: 1st ODI as it happened
England skipper Kevin Pietersen leads his side to a hard-fought 20-run victory over South Africa in the opening one-day international at Headingley.
Olympics day 14 as it happened
Usain Bolt collects his third gold as Jamaica win the sprint replay in a new world record after Britain's Tim Brabants wins canoeing gold and Heather Fell claims silver in the modern pentathlon.
Olympics day 13 as it happened
Phillips Idowu has to settle for silver in the triple jump after sailors Iain Percy and Andrew Simpson win Britain's 17th gold and David Davies picks up a silver in the 10km swim.
RE: Hot Girls on Girls? Skanky or Fun?
RE: Hot Girls on Girls? Skanky or Fun?instantmashup2 min - 26 Aug 2008Linkshttp://www.youtube.com/user/bohosolohttp://www.youtube.com/user/ItsBrent?ob=1http://www.youtube.com/user/sxephil?ob=4VOTE LIKE MADhttp://tinyurl.com/Vote4DallasHelp out my new passion project:http://tinyurl.com/Vote4DallasAnd vote for Dallas or Text "DALLAS" to 95615 as many times you can for the next 2 days. Even if we have a lead, don't stop, bc you never know what tricks they have stored up their sleeves!!!Stalk Me:http://myspace.com.youtubephilhttp://twitter.com/phillydStories:iPhone: http://tinyurl.com/5ujsdfBiden: http://tinyurl.com/64ly2cTransplant: http://tinyurl.com/5me8dgNew Fad?: http://tinyurl.com/5p89yuD-Bag: http://tinyurl.com/5c2pnbCrazy Texas: http://tinyurl.com/5mlh85
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 10
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 10gppkoq5 min - 26 Aug 2008'Vespro della Beata Vergine, 1610'Psalm: Lauda Jerusalem (Psalm 147): two choirs of three voices plus tenor cantus firmusPerformed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto PalatinoI BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more "marketable". There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 9
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 9gppkoq8 min - 26 Aug 2008'Vespro della Beata Vergine, 1610'Motet: Audi coelum two tenor soloists singing call and response ("prima ad una voce sola")Performed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more "marketable". There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
Hot Girls on Girls? Skanky or Fun?
Hot Girls on Girls? Skanky or Fun?nvhzin2636 min - 26 Aug 2008Help out my new passion project:http://tinyurl.com/Vote4DallasAnd vote for Dallas or Text "DALLAS" to 95615 as many times you can for the next 2 da...
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 4
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 4gppkoq5 min - 26 Aug 2008'Vespro della Beata Vergine, 1610'Psalm: Nisi Dominus (Psalm 126): ten voice choirPerformed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more "marketable". There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
I NEED YOUR HELP! Text Dallas to 95615!!!
I NEED YOUR HELP! Text Dallas to 95615!!!qukozj6782 min - 26 Aug 2008Contest ends Aug 27 at 3 pm CST. PLEASE VOTE!www.tinyurl.com/vote4dallashttp://www.freshfilms.com/VOTING_windows/Vote_1.htmTEXT Dallas to 95615!!I need yo...
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 7
Claudio Monteverdi 'Vespro della Beata Vergine, 1610' - 7gppkoq6 min - 26 Aug 2008'Vespro della Beata Vergine, 1610'Motet: Duo Seraphim: vocal duet leading into trio Performed :Coro del Festival Barocco di Lugano,Coro della Radio Svizzera, Lugano,Ensemble More Antiquo,and Concerto Palatino.I BarocchistiDirector : Diego Fasolis (harpsichord)*****Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) -- November 29, 1643), was an Italian composer, gambist, and singer.Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.*****Vespro della Beata Vergine 1610 (SV 206 and 206a, Vespers for the Blessed Virgin, 1610), or simply the Vespers of 1610, as it is commonly called, is a musical composition by Claudio Monteverdi. Vespers is a term taken from the Hours of the Divine Office and has remained structurally unchanged for the past 1500 years. The Vespers are built around several Biblical texts that are traditionally used as part of the liturgy for several Marian feasts in the Roman Catholic church; the introductory Deus in adjutorium (Psalm 69), five psalms taken from Psalms 109-147, sacred concertos between the psalms, a hymn, a setting of the Magnificat text, and the concluding Benedicamus Domino.Monteverdi's Marian Vespers of 1610, his first sacred work since his very first publication twenty-eight years prior, stands out for its assimilation of both old and new styles, although these contrasting styles cannot be exactly classified as prima pratica and seconda pratica, per se. The Vespers were published in July of 1610, in combination with a six-voice mass that parodies a motet of Nicolas Gombert, In illo tempore loquante Jesu. Nearly four hundred years after its completion, the precise intentions of this large work are not clearly known or understood. This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi's setting of the Vespers is more suited towards use for the feast of Saint Barbara, claiming, for example, that the texts taken from Song of Songs are applicable to any female saint. He goes on to write that formatting the Vespers to fit a Marian feast makes the work more "marketable". There are several facts that support this view: There are just two Marian songs in the whole Vespers; Audi Coelum and Ave Maris Stella, (the sonata could very easily be rearranged to any saint's name) and the text of the Duo Seraphim is connected with Saint Barbara (because she is generally connected with Trinity).The Vespers was first printed in Venice, Italy, in 1610 when the composer was working at the ducal court in Mantua, Italy. The historical record does not indicate whether Monteverdi actually performed the Vespers either in Mantua or Venice; the work may have been written as an audition piece for posts at Venice (Monteverdi became maestro di cappella at St Mark's Basilica in Venice in 1613) and Rome (where the composer was not offered a post).The Vespers is a monumental work of music, calling for a choir large enough and skilful enough to cover up to 10 vocal parts in some movements and split into separate choirs in others while accompanying seven different soloists during the course of the piece. Interestingly, solo parts are included for violin and cornetto, but the ripieno instrumentation is not specified by Monterverdi. Additionally, Monteverdi did not specify a specific set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This allows the performers to tailor the music according to the available instrumental forces and the occasion of the performance (the particular feast day's liturgy would have included suggested antiphons that could be chanted before Monterverdi's psalm settings).Monterverdi's unique approach to each movement of the Vespers earned the work a place in history. The work not only presents intimate, prayerful moments within its monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms - sonata, motet, hymn, and psalm - without losing focus. The Vespers achieves overall unity by building each movement on the traditional Gregorian plainchant for each text, which becomes a cantus firmus in Monteverdi's setting.
EJournals
EJournalsisulibrary2 min - 26 Aug 2008How do I find a full-text online article?
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These files can be opened, read, and edited with a text editor. ... All text is available under the terms of the GNU Free Documentation License. ...
TEXT, a Swedish band formed by 3/4 ex-Refused Members. Text file, a computer file consisting solely of characters from a recognized character set ...
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Powerful general purpose text editor for Windows.
SimpleDateFormat (Java 2 Platform SE v1.4.2)
Text can be quoted using single quotes (') to avoid interpretation. ... Text: For formatting, if the number of pattern letters is 4 or more, the full ...
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Digg - CRAZY cool javascript : Edit whatever you want on ANY page ...
... 10/12/2007, -0/+6 Don't forget you can edit your OWN website with it too, save the changes as .html and/or .css, and also edit articles online if you don't feel like opening a text ...
Digg / Tools / Integrate
Custom Submission-Only Button. A basic method to allow your site's visitors to submit and Digg news and videos. The advantage is you can use your own graphic or text.
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Works great. Max of 3000 characters and 13 voices to choose from all with different accents. ... Text To Speech Voice Generator. research.att.com — Works great. Max of 3000 ...
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When it comes to monetization of text, we have experienced a slow evolution: at first there were banners - Yahoo was king. Then, Google introduced sponsored listings and “adorned ...
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Barack is about to choose a running mate, and he wants you to know first. You have helped build this movement from the bottom up, and Barack wants you to be part of this important ...
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Today is basic math day at CrunchGear where we discovered that if 160 bytes of SMS data costs twenty cents then 1MB (1,048,576 bytes) of data would cost 131,072 cents, or $1,310.72
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